Jess Wilson, Naeco Studio
The Streetlight Was Impersonating the Moon But I Started Praying and Forgot I Was on Mushrooms
My gran brought me to church as a youngster
I queried how she understood the Latin tonguester
Rambling at the top of the isle
Full of boast and beguile
I got a side-eye and notable snicker
For weaving such juvenile wicker
Though I don’t think she herself recited a lick
Of that man’s bewildering politic
Confused, my head drifted like a river basin
I, the daughter of an open-minded Mason
Who raised me to think of heaven and hell
As loose ideas, myth and quell
I felt most spiritual walking out of that place
Into the beaming sunlight’s unblemished embrace
My gran squinted her eyes, quickened her pace
All the empirical hallow she mistakenly erased
I think heaven is the acceptance
That you’re already in a most celestial place
Full of mercy, murder and chaotic grace
All wound up, indefinitely in space
And there is no book more true than another
Only more helpful, legible, or rediscovered
In this age of question-mark deficit
Absolutists requiring no requisite
Seven-year-old little me
Wanted desperately to understand, to agree
But I couldn’t make out the words
That promised me safety among the herds
I grew up to be all the church aims to repress
A unabashed woman with nothing to confess,
Who dances and laughs and is unafraid
Refusing to let the foreboding abrade
This is My Story
Jessica Wilson is a multidisciplinary artist who aims to intersect art therapy and community care. Her works often involve elements of vulnerability relevant to her queer and disabled experiences. Sourced from an upcoming poetry anthology, this selected piece was cathartic, and unfurled Jessica's gripe with the conformity of religious institutions; especially their history of harm towards her identity.
Learn more about Naeco Studio at @naecostudio on Instagram and at naecostudio.com